000			03336cam a22003978i 4500
001			20774061
005			20250919141926.0
008			181126s2019 nyua b 001 0 eng c
020			_a9780231191623 _q(cloth : _qalkaline paper) _cHadiah
020			_a9780231191630 _q(paperback : _qalkaline paper)
040			_aLBSOR/DLC _beng _erda _cLBSOR _dDLC _dUKM _erda
041	1		_aeng _hjpn
090			_aPN1993.5.J3 _bN53613
100	1		_aYomota, Inuhiko, _d1953- _eauthor.
240	1	0	_aNihon eigashi 100-nen. _l English
245	1	0	_aWhat is Japanese cinema? : _ba history / _cYomota Inuhiko ; translated by Philip Kaffen.
264		1	_aNew York : _b Columbia University Press, _c [2019].
264		4	_c©2019.
300			_axviii, 228 pages : _b illustrations ; _c 22 cm.
336			_atext _2rdacontent
337			_aunmediated _2rdamedia
338			_avolume _2rdacarrier
520			_a'What might Godzilla and Kurosawa have in common? What, if anything, links Ozu's sparse portraits of domestic life and the colorful worlds of anime? In this book, Yomota Inuhiko provides a concise history of Japanese film that shows how cinema tells the story of Japan's modern age. Discussing popular works alongside auteurist masterpieces, Inuhiko considers films in light of both Japanese cultural particularities and cinema as a worldwide art form. He covers the history of Japanese film from the silent era to the rise of J-Horror in historical, technological, and global contexts. Inuhiko shows how Japanese film has been shaped by traditional art forms such as kabuki theater as well as foreign influences spanning Hollywood and Italian neorealism. Along the way, he considers the first golden age of Japanese film; colonial filmmaking in Korea, Manchuria, and Taiwan; the impact of World War II and the U.S. occupation; the Japanese film industry's rise to international prominence during the 1950s and 1960s; and the challenges and technological shifts of recent decades. Alongside a larger thematic discussion of what defines and characterizes Japanese film, Inuhiko provides insightful readings of canonical directors including Kurosawa, Ozu, Suzuki, and Miyazaki as well as genre movies, documentaries, indie film, and pornography'-- _cProvided by publisher.
500			_a'Originally published in the Japanese as Nihon eigash 110 nen (Tokyo: Shueisha, 2014).'
500			_aTranslated from the Japanese.
504			_aIncludes bibliographical references : pages 201-213) and index.
505			_aMotion pictures: 1896-1918 -- The rise of silent film: 1917-1930 -- The first golden age: 1927-1940 -- Japanese cinema during wartime -- Film production in the colonies and occupied lands -- Japanese cinema under American occupation: 1945-1952 -- Toward a second golden age: 1952-1960 -- Upheaval amidst steady decline: 1961-1970 -- Decline and torpor: 1971-1980 -- The collapse of the studio system: 1981-1990 -- The indies start to flourish: 1991-2000 -- Within a production bubble: 2001-2011.
650		0	_aMotion pictures _z Japan _x History.
700	1		_aKaffen, Phil, _e translator.
907			_a.b16828069 _b2020-12-28 _c2020-09-03
942			_c01 _n0 _kPN1993.5.J3 N53613
949			_o 101010442
991			_aFakulti Pendidikan
990			_anma
998			_at _b2020-09-03 _cm _da _feng _gnyu _y0 _z.b16828069
999			_c650184 _d650184