000 03628cam a2200469 i 4500
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008 180606t20182018ne a b 001 0 eng d
020 _a9789004357006
_cHadiah
020 _a9789004357013 (e-book)
039 9 _a201810291404
_bfakrul
_c201810291204
_dmaslia
_y06-06-2018
_zros
040 _aDLC
_beng
_erda
_cDLC
_dDLC
_dUKM
_erda
090 _aBP190.5.A7S44 ki
090 _aBP190.5.A7
_bS44
245 0 0 _aSeen and unseen :
_bvisual culture of imperialism /
_cedited by Sanaz Fotouhi, Esmaeil Zeiny.
264 1 _aLeiden :
_bBrill,
_c2018.
300 _a213 pages :
_billustrations ;
_c24 cm.
336 _atext
_2rdacontent
337 _aunmediated
_2rdamedia
338 _avolume
_2rdacarrier
490 0 _aStudies on performing arts & literature of the Islamicate world,
_x2214-6563 ;
_vvolume 5.
504 _aIncludes bibliographical references and index.
505 1 _aThe arrest of Diponegoro: visual orientalism and its alternative / Syed Farid Alatas -- Images of the prophet Muhammad: brief thoughts on some European-Islamic encounters / Christiane Gruber -- Nightmarish visions? shifting visual representations of the'Islamic' terrorist throughout the'war on terror' / Jared Ahmad -- Oil and women: invisibility as power in Nawal El-Saadawi's love in the kingdom of oil / Layla Hendow --'World hijab day': positioning the hijabi in cyberspace / Raihanah M. M -- Contemporary Bruneian cinema in the context of Sharia law / D. Bruno Starrs -- Visual discourses of (un)veiling: revisiting women of Allah / Esmaeil Zeiny -- Visibility and veiling: Iranian art on the global scene / Hoda Afshar -- From woman to Tehran: the shifting representations of the Islamic Republic of Iran on book covers by Iranian writers in English / Sanaz Fotouhi.
520 _a'Seen and Unseen teases out and explores how visual mediums construct visual cultures that often create limited perspectives of certain issues and groups, specific to this volume, the representation of Islam and Muslims. It deals with fixed and stereotypical visual representations and explores alternative and challenging visual representations which reconstruct and dismantle existing belief systems. It approaches the topic from a vantage point of diverse multiple perspectives. Covering issues from Brunei, Iran, Egypt, and England and cyberspace, essays examine the visual cultures of how Islam and Muslim people are understood, misunderstood, misrepresented, or even embraced visually. Scholars in this volume draw on historical paintings, books and their covers, photography, and news to demonstrate the diversity and sometimes contradictory visual cultures that construct and adhere meaning to how Islam and Muslim people are seen. Contributors: Hoda Afshar, Jared Ahmed, Syed Farid Alatas, Sanaz Fotouhi, Christiane Gruber, Layla Hendow, Raihana M.M., Bruno Starrs and Esmaeil Zeiny'--
_cProvided by publisher.
650 0 _aIslam in art.
650 0 _aIslam in mass media.
650 0 _aIslam and culture
_zBrunei.
650 0 _aIslam and culture
_zEgypt.
650 0 _aIslam and culture
_zEngland.
650 0 _aIslam and culture
_zIran.
650 0 _aVisual communication
_zBrunei.
650 0 _aVisual communication
_zEgypt.
650 0 _aVisual communication
_zIran.
700 1 _aFotouhi, Sanaz,
_eeditor.
700 1 _aZeiny, Esmaeil,
_eeditor.
907 _a.b16596171
_b2019-11-12
_c2019-11-12
942 _c01
_n0
_kBP190.5.A7S44 ki
914 _avtls003634761
990 _amms/mfh
991 0 8 _aFakulti Pengajian Islam
998 _at
_b2018-06-06
_cm
_da
_feng
_gne
_y0
_z.b16596171
999 _c628004
_d628004