| 000 | 02107cam a2200397Mi 4500 | ||
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| 005 | 20250918231736.0 | ||
| 008 | 131009s2013 enk 000 0 eng d | ||
| 020 |
_a9780857850843 (set) _cRM2,313.63 |
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| 020 | _a0857850849 (set) | ||
| 039 | 9 |
_a201310241157 _brosli _c201310241149 _drosli _c201310241143 _dhendon _c201310090834 _dhamudah _y10-09-2013 _zhamudah |
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_aNLGGC _efobidrtb _bdut _cNLGGC _dUKM |
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| 090 | _aHM500.I464 | ||
| 090 |
_aHM500 _b.I464 |
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| 245 | 0 | 0 |
_aImages: critical and primary sources / _ced. by Sunil Manghani. |
| 246 | 3 | _aImages | |
| 260 |
_aLondon [etc.] : _bBloomsbury, _c2013. |
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| 300 |
_a4 dl. ; _c25 cm. |
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| 505 |
_gvol. 1. _tUnderstanding images. _gvol. 2. _tThe pictural turn. _gvol. 3. _tImage theory. _gvol. 4. _tImage cultures |
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| 520 | 0 | _aThis title is a work of reference that brings together seminal writings on the image. Taking an interdisciplinary approach, the essays range across the domains of philosophy, history, art, aesthetics, literature, science, anthropology, critical theory and cultural studies. The essays reveal a wide set of perspectives, problematics and approaches, helping to frame a rich, encompassing view of what we can broadly term'image studies'. The four volumes are arranged thematically, each separately introduced and with the essays structured into specific sections for easy reference. | |
| 650 | 0 | _aVisual sociology. | |
| 650 | 0 | _aVisual communication. | |
| 650 | 0 | _aImage (Philosophy). | |
| 700 | 1 | _aManghani, Sunil. | |
| 740 |
_aUnderstanding images ; _nvol. 1. |
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| 740 |
_aThe pictural turn ; _nvol. 2. |
||
| 740 |
_aImage theory ; _nvol. 3. |
||
| 740 |
_aImage cultures ; _nvol. 4 |
||
| 907 |
_a.b15743718 _b2019-11-12 _c2019-11-12 |
||
| 942 |
_c01 _n0 _kHM500.I464 |
||
| 914 | _avtls003541784 | ||
| 990 | _ark4 | ||
| 991 | _aFakulti Sains Sosial dan Kemasyarakatan | ||
| 998 |
_at _b2013-09-10 _cm _da _feng _genk _y0 _z.b15743718 |
||
| 999 |
_c554555 _d554555 |
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