| 000 | 01881nam a2200349 a 4500 | ||
|---|---|---|---|
| 005 | 20250918140459.0 | ||
| 008 | 110421s2010 nyua b 001 0 eng | ||
| 020 |
_a9780415871396 (hbk.) _cRM401.09 |
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| 020 | _a0415871395 (hbk.) | ||
| 039 | 9 |
_a201107200946 _brosli _c201104211518 _drahah _y04-21-2011 _zrahah |
|
| 040 | _aUKM | ||
| 090 | _aPN1995.9.H6H34 | ||
| 090 |
_aPN1995.9.H6 _bH34 |
||
| 100 | 1 |
_aHanich, Julian, _d1975- |
|
| 245 | 1 | 0 |
_aCinematic emotion in horror films and thrillers : _bthe aesthetic paradox of pleasurable fear / _cJulian Hanich. |
| 260 |
_aNew York : _bRoutledge, _c2010. |
||
| 300 |
_ax, 301 p. : _bill. ; _c24 cm. |
||
| 490 | 1 |
_aRoutledge advances in film studies ; _v5 |
|
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | _aIntroduction -- How to describe cinematic fear, or why phenomenology? -- Multiplexperiences : individualized immersion and collective feelings -- Frightening fascination : a phenomenology of direct horror -- Intimidating imaginations : a phenomenology of suggested horror -- Startling scares : a phenomenology of cinematic shock -- Anxious anticipations : a phenomenology of cinematic dread -- Apprehensive agitation : a phenomenology of cinematic terror -- Moments of intensity : lived-body metamorphoses and experienced time -- Moments of collectivity : the cinema of fear and feelings of belongingness -- The end. | |
| 650 | 0 |
_aHorror films _xHistory and criticism. |
|
| 650 | 0 |
_aThrillers (Motion pictures) _xHistory and criticism. |
|
| 650 | 0 | _aMotion picture audiences. | |
| 830 | 0 |
_aRoutledge advances in film studies ; _v5. |
|
| 907 |
_a.b15011264 _b2021-05-28 _c2019-11-12 |
||
| 942 |
_c01 _n0 _kPN1995.9.H6H34 |
||
| 914 | _avtls003463359 | ||
| 990 | _ark4 | ||
| 991 | _aFakulti Sains Sosial & Kemanusiaan | ||
| 998 |
_at _b2011-08-04 _cm _da _feng _gnyu _y0 _z.b15011264 |
||
| 999 |
_c485880 _d485880 |
||