| 000 | 01681cam a22003134a 4500 | ||
|---|---|---|---|
| 005 | 20250918005548.0 | ||
| 008 | 090520s2008 enk bkqi 001 0 eng | ||
| 020 |
_a9780754663836 (alk. paper) _cRM261.00 |
||
| 039 | 9 |
_a200906291517 _blan _c200906291512 _dlan _c200906191539 _drahah _c200906191539 _drahah _y05-20-2009 _zrahah |
|
| 040 | _aUKM | ||
| 090 |
_aML3790 _b.F354 |
||
| 100 | 1 |
_aFairchild, Charles, _d1967- |
|
| 245 | 1 | 0 |
_aPop idols and pirates : _bmechanisms of consumption and the global circulation of popular music / _cCharles Fairchild |
| 260 |
_aAldershot, Hampshire : _bAshgate, _c2008 |
||
| 300 |
_aix, 182 p. ; _c24 cm. |
||
| 490 | 0 | _aAshgate popular and folk music series | |
| 504 | _aIncludes bibliographical references (p. [159]-177), discography (p. 176-177), filmography (p. 177), and index | ||
| 505 | 0 | _aAll of the in-between. The acts and the spaces of consumption ; The medium and materials of popular music -- Bridging the distance between production and consumption. Property and power: CDs, MP3s, and SoundScan ; Mediating and manufacturing the investment in desire -- The spectacle as consumption environment. Constructing the idol empire ; Building the authentic celebrity: the structure of a spectacle ; Becoming who you are: the content of a spectacle | |
| 650 | 0 |
_aMusic trade _xSocial aspects |
|
| 650 | 0 |
_aPopular music _xSocial aspects |
|
| 650 | 0 | _aPiracy (Copyright) | |
| 907 |
_a.b14487111 _b2020-10-15 _c2019-11-12 |
||
| 942 |
_c01 _n0 _kML3790 .F354 |
||
| 914 | _avtls003408167 | ||
| 990 | _arab | ||
| 991 | _aPusat Pengajian Bahasa dan Linguistik (SLI) | ||
| 998 |
_at _b2009-07-05 _cm _da _feng _genk _y0 _z.b14487111 |
||
| 999 |
_c441158 _d441158 |
||