TY  - BOOK
AU  - Horn,Mirjam
TI  - Postmodern plagiarisms: cultural agenda and aesthetic strategies of appropriation in US-American literature (1970-2010) 
T2  - Buchreiha der ANGELIA/ANGLIA Book Series
SN  - 9783110378955
PY  - 2015///
CY  - Berlin, Boston
PB  - De Gruyter Mouton
KW  - American literature
KW  - 20th century
KW  - History and criticism
KW  - 21st century
KW  - Plagiarism
KW  - United States
KW  - History
KW  - Imitation in literature
N1  - Includes bibliographical references (pages 248-282) and index; Introducing plagiarism beyond illegitimate plunder  -- Framing plagiarism as a postmodern negotiation of authorship and text sovereignty --  Authorship and its nemeses: plagiarism as unoriginal practice -- The commodification of literature and the economic value of authorial attribution -- The extra-aesthetic notion of plagiarism: the case of literary theft -- Under siege: challenging textual integrity and individual  authorship -- Writing beyond petty theft: critifiction, context, and neo-conceptual writing --  Everything can be said and must be said in any possible way: stealing away with critifiction and playgiarism -- Disowning meaning and male authority: feminist plagiarist context -- Neo-conceptual uncreative writing of the twenty-first century -- Plagiarism as writing practice in US postmodern literature -- Practicing theory with critifiction: Raymond Federman's Double or nothing (1971/1991)  -- Context as dissident feminist writing: Kathy Acker's Empire of the senseless (1988) -- Neo-conceptual appropriative writing -- Uncreative writing as constrained transcription: Kenneth Goldsmith's Day (2003) -- Appropriating legal texts: Vanessa Place's Tragod i: statement of facts (2010) --  Appropriate and erase: Yedda Morrison's Darkness (chapter 1) -- Conclusion: the present and future of strategic appropriation in the arts
ER  -